In an otherwise quiet coach, a
woman wearing a floral-patterned sundress, spoke with some vigor into her
phone. Speaking in German, she was speaking too fast for me to understand the
actual conversation, but the tone of her voice indicated she was agitated and
exasperated. She held her long brown hair in one hand as she kept rapidly
repeating phrases, two or three times over, indicating that she was emphasizing
a point to her argument. Perhaps there was a tinge of embarrassment because she
drew attention to herself on a train that was only about half full. It was
Sunday, maybe Saturday night did not go well. I amused myself by remembering
the opening scene of Before Sunrise,
the seminal travel film, in which Jesse witnesses and argument on a train bound
for Vienna and meets (and falls in love with) CĂ©line after she explains the
argument. In my version, the story playing out in reverse: the train was
traveling away from Vienna and there were no romantic connections being made as
a result of the argument.
When the train arrived in
Bratislava, I wondered if the woman in the sundress was “escaping” for the day,
running away if you will. What little I understood from the conversation, she
wanted something from the person on the other end of the phone. When we emerged into the antiquated,
communist-era train station, I saw her, several feet in front of me, take out
her phone and snap a picture of the sign across the exit that read: “Welcome to
Slovakia.”
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